| The StarPoet Newsletter Vol. XI, No. XXXIX (September 26, 2010 C.E.) |
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| Copyright © Lisa Jain Thompson 1948-2010. Back issues are in the Newsletter Section of the StarPoet website. Visit my contact page and get in touch. |
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who would have thought we'd be falling so soon towards the winter solstice |
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The autumn chill |
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Lisa Jain Thompson c. 2010 C.E. |
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what else but poetry and a ballgame on Sunday as the season draws down |
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| head count |
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The Safety of Our Walls |
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There are 7 billion miracles |
| — Lisa Jain Thompson (September 2010) |
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I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book - in short, it's something unworthy of a serious critic's attention. -- Jennifer Weiner: |
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the job from here |
| The Joyous Rush |
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Time steals muscle and bones, |
| — Lisa Jain Thompson (September 2010) |
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| the miracle of flesh |
| Touch |
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Her hand slips within me |
| — Lisa Jain Thompson (September 2010) |
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Oh yeah, sure. But you know what? That's your trade off. I think Jen Weiner was the one who tweeted the very comment that, "I'm going to weep into my royalty check". She's funny and honest and that's what makes her great. There's that unwritten schism that literary writers get all the awards and commericals writers get all the success. -- Jodi Picoult |
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| a bit from Mytilene |
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Sun, Blue Sky |
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How much of this is real, |
| — Lisa Jain Thompson (September 2010) |
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How can anyone claim the paper plays fair when genre fiction that men read gets reviewed but genre fiction that women read doesn't exist on the paper's review pages? It would be as if the paper's film critics only reviewed tiny independent fare and refused to see so much as a single frame of a romantic comedy, or if the music critics listened to Grizzly Bear and refused to acknowledge the existence of Katy Perry or Lady Gaga. How seriously would a reader take a critic like that? -- Jennifer Weiner |
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| starpoet |
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Valley Girl |
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I've lived in valleys all my life, The Milky Way is a high plains memory, But here, beside the Sacramento, |
| — Lisa Jain Thompson (September 2010) |
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| peeking inside the box |
| The Burning Cat's Story |
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Whether the cat is dead or alive Whether my skin is olive or light ebony The fires burn on the galaxy's edge. |
| — Lisa Jain Thompson (September 2010) |
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Nick Hornby, Jonathan Tropper, Carl Hiaasen, David Nicholls...all of these guys write what I'd call commercial books, even beach books, books about relationships and romance and families. All of them would be considered chick lit writers if they were girls. But they're not, so they get reviewed (not always positively, but still), and they sell. -- Jennifer Weiner: |
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| the American circle |
| Waiting for the Bus |
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In pairs, alone, in gangs of five, |
| — Lisa Jain Thompson (September 2010) |
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| screen play |
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The Flick Last Night |
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Last night I watched a Bertolucci flick |
| — Lisa Jain Thompson (September 2010) |
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Because historically the books that have persevered in our culture and in our memories and our hearts were not the literary fiction of the day, but the popular fiction of the day. Think about Jane Austen. Think about Charles Dickens. Think about Shakespeare. They were popular authors. They were writing for the masses. -- Jodie Picoult: |
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| it's all in the connections |
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The Wanderer |
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It is not that I can't color between the lines, It seems to be a problem in my wetware, So, if you see me wandering beyond some rule |
| — Lisa Jain Thompson (September 2010) |
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the some of all parts |
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What's My Name? |
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Who am I to even talk of posterity |
| — Lisa Jain Thompson (September 2010) |
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Writers can write about anything they want, any sex they want, any place they want. -- Annie Proulx |
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| Copyright © Lisa Jain Thompson 1948-2010. Back issues are in the Newsletter Section of the StarPoet website. Visit my contact page and get in touch. |

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