Starpoet by Lisa Jain Thompson
Newsflash:
The StarPoet Newsletter
Vol. XI, No. XXXIX (September 26,  2010 C.E.)
StarPoet Newsletter by Lisa Jain Thompson

who would have thought we'd be falling so soon towards the winter solstice

The autumn chill
So quickly come
Pulls us together
Beneath our sheets
Night slowly passes
Outside our open window
Hours before the new day
Breaks

Lisa Jain Thompson c. 2010 C.E. 

what else but poetry and a ballgame on Sunday as the season draws down

head count

The Safety of Our Walls

There are 7 billion miracles
Orbiting along with planet Earth,
7 Billion lost souls looking for
Meaning and self-worth:
Half that many have come before us,
Half that many have died.
We've grown from small hunting bands
To villages and great cities
That strain to reach the heavens;
We have overfilled our birthplace,
Outgrown our lush green world
And must prepare to leave
Our once and ancient home,
A well loved child who realizes
She has grown beyond the safety
Of her mother's well intentioned walls.

— Lisa Jain Thompson (September 2010)

I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book - in short, it's something unworthy of a serious critic's attention.

-- Jennifer Weiner:

the job from here

The Joyous Rush

Time steals muscle and bones,
Causes breasts to bloat and sag,
Hurries the joyous rush of love
And sours the taste of once loved kisses;
Time corrodes the best intentions
And slows the mind if you let it:
The poet's lot is to see it all,
Record the happiness, the tears and pain,
The intricate mysteries
Of the human pair bond,
And not allow our brief fleeting lives
To slip out unnoticed by the continuum.

— Lisa Jain Thompson (September 2010)
the miracle of flesh 
Touch

Her hand slips within me
Shuddering my flesh,
Arching my back,
Flaying wide my legs;
My mind tumbles, disrupts,
Falls timelessly through space
While the world rolls and quakes;
Lips meet, tongues caress,
Heart hesitates, then shudders
Back to life as she starts anew.

— Lisa Jain Thompson (September 2010)

Oh yeah, sure. But you know what? That's your trade off. I think Jen Weiner was the one who tweeted the very comment that, "I'm going to weep into my royalty check". She's funny and honest and that's what makes her great. There's that unwritten schism that literary writers get all the awards and commericals writers get all the success.

-- Jodi Picoult

a bit from Mytilene

Sun, Blue Sky

How much of this is real,
This world I create around me,
The trees, the children playing in the grass,
The sun, blue sky, and white clouds?
Close my eyes and it all disappears,
Close my eyes and a universe awaits;
Whose fingers, whose whispers,
Whose kiss touches me tenderly?
I hold fast to sunset's warm colors,
The fading remnants of the passing day;
I breathe full, count my heart beats,
And wait for the full moon to rise.

— Lisa Jain Thompson (September 2010)

How can anyone claim the paper plays fair when genre fiction that men read gets reviewed but genre fiction that women read doesn't exist on the paper's review pages? It would be as if the paper's film critics only reviewed tiny independent fare and refused to see so much as a single frame of a romantic comedy, or if the music critics listened to Grizzly Bear and refused to acknowledge the existence of Katy Perry or Lady Gaga. How seriously would a reader take a critic like that?

-- Jennifer Weiner

starpoet

Valley Girl

I've lived in valleys all my life,
Watched the stars through farmland haze
And the distortion of the city lights:
Burning fields and plowman's dust
Redshift my heavens as much as distance.

The Milky Way is a high plains memory,
A splash of light across a planetarium ceiling,
But I have seen worlds as yet unexamined
And pointed to the spot our sun would shine
If its fire was not lost in the cosmic glare.

But here, beside the Sacramento,
As the waters work their way to the bay,
All possibilities are still open and available
To the bright young poet atop a fine horse
Nervously winding her way to the coastline.

— Lisa Jain Thompson (September 2010)
                                               
peeking inside the box
The Burning Cat's Story

Whether the cat is dead or alive
Matters little if it still catches mice;
Rameses II, millenniums gone,
Still dominates the Egyptian sands.

Whether my skin is olive or light ebony
Does not change my genetic ancestry;
That I live now, on the cusp of a cusp,
Will not set my foot on Europa's shoreline.

The fires burn on the galaxy's edge.

— Lisa Jain Thompson (September 2010)

Nick Hornby, Jonathan Tropper, Carl Hiaasen, David Nicholls...all of these guys write what I'd call commercial books, even beach books, books about relationships and romance and families. All of them would be considered chick lit writers if they were girls. But they're not, so they get reviewed (not always positively, but still), and they sell.

-- Jennifer Weiner:

the American circle
Waiting for the Bus

In pairs, alone, in gangs of five,
The high school collects around the bus stop;
A gathering of tribes, the milling students
Re-enact the ancient rituals and protocols.
Their transportation is minutes upstream,
Yellow of bus and bright flashing red lights;
One by one, they will slowly stagger aboard,
Impressed into classrooms for the duration.

— Lisa Jain Thompson (September 2010)
screen play

The Flick Last Night

Last night I watched a Bertolucci flick
About some pretty girl having sex
   in some ancient villa in Tuscany;
It was all quite inscrutably pleasant
As she plotted to lose her virginity
With various of her dead mother's
   neighbors and friends.
There was so little relationship
To the world I've lived through,
   I found it best to treat it all
As some director's pastoral fantasy
Of how young women truly behave:
   I hate to disappoint him but
I was much much younger than nineteen
When I began making test runs
   with various egar boys.

— Lisa Jain Thompson (September 2010)

Because historically the books that have persevered in our culture and in our memories and our hearts were not the literary fiction of the day, but the popular fiction of the day. Think about Jane Austen. Think about Charles Dickens. Think about Shakespeare. They were popular authors. They were writing for the masses.

-- Jodie Picoult:

it's all in the connections

The Wanderer

It is not that I can't color between the lines,
But I can't see lines most times at all,
And when and if I do notice one,
I seldom find a line that connects.

It seems to be a problem in my wetware,
A loose synapse that refuses to be tightened,
That prevents me from seeing any boundary
Until after I've crossed well over them.

So, if you see me wandering beyond some rule
Or otherwise identified social convention,
Be patient, be kind, and wave, if you can,
So I'll have some clue where I am.

— Lisa Jain Thompson (September 2010)

the some of all parts

What's My Name?

Who am I to even talk of posterity
When even Ozymandias' fame is fleeting,
More known for freshman English compositions
Than granite monuments and mighty conquests;
How should these words and lines survive
When great sandstone pyramids crumble
Before the sun's steady rise and set
And bright heavens'eternal gaze?
Both stars and universe will someday pass,
Long after my ink fades to quark and space,
The light that teases my eye and brain
Will soon grow cold and dissipate,
But the poet must strive to persevere
Or the world will grow silent and all breath cease.

— Lisa Jain Thompson  (September 2010)

Writers can write about anything they want, any sex they want, any place they want.

-- Annie Proulx

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StarPoet Newsletter by Lisa Jain Thompson
 
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