| The StarPoet Newsletter Vol. XII, No. XIV (April 3, 2011 C.E.) |
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| Copyright © Lisa Jain Thompson 1948-2011. Back issues are in the Newsletter Section of the StarPoet website. Visit my contact page and get in touch. |
| the weather can't decide on a season. nevertheless, PLAY BALL! |
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Opening day and a touch of rain, The gods are not amused |
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Lisa Jain Thompson c. 2011 C.E. |
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162 games from now we will have a play-off or three and then the World Series. Go Nats! If not now, then next year or the year after that. |
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| a clean slate |
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Notebook Scrawl |
| The first poem in a notebook is always a struggle, A fight between blank page and unwilling pen. Who is the poet to mar perfection, What muse demands I stain new parchment? Still, the world moves, the words clamor to be heard; I pick up my pen and begin: The first poem is always a struggle. |
| — Lisa Jain Thompson (April 2011) |
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There I sat on Buttermilk Hill, who could blame me cry my fill? And every tear would turn a mill. Johnny has gone for a soldier. Shule, shule, shulagra, sure and sure and he loves me. When he comes back we'll married be, Johnny has gone for a soldier. Anonymous, Johnny Has Gone for a Soldier c. 1776 (from an earlier Celtic melody) |
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a train unbridled |
| Animal Crackers in My Soup |
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I would like to thank all the troops, |
| Lisa Jain Thompson (April 2011) |
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| love and marriage |
| The Fantasy and the Reality |
| The women are gowned, The men are suited, The priest waits for me Up at the altar; But Sharon and I Will walk hand in hand, Making legal paperwork of What already exists; We know we are married By any rule of nature, A ceremony only punctuates What is joined already. |
| — Lisa Jain Thompson (April 2011) |
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| When Johnny comes marching home again, Hurrah, hurrah, We'll give him a hearty welcome then, Hurrah, hurrah! The men will cheer, the boys will shout, The ladies, they will all turn out, And we'll all feel gay when Johnny comes marching home. Patrick S. Gilmore, When Johnny comes marching home 1863 |
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| starpoet |
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Luminous Plasma |
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When death at last assassins me |
| - Lisa Jain Thompson (April 2011) |
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| Johnnie get your gun, get you gun, get your gun, Take it on the run, on the run, on the run, Hear them calling you and me; Every son of Liberty Hurry right away, no delay, go today, Make your daddy glad to have had such a lad Tell your sweetheart not to pine, To be proud her boy's in line. Over There, Over There Send the word, send the word, Over There That the Yanks are coming, The Yanks are coming, The drums rum tumming everywhere So prepare, Say a Prayer Send the word, Send the word to beware We'll be over, we're coming over. And we won't be back till it's over over there! George M. Cohan, Over There 1918 |
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| love and marriage |
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I Need To Be |
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I need to be within her ordered space, |
| - Lisa Jain Thompson (April 2011) |
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| work space |
| The Bureaucracy |
| The Bureaucracy moves slow, Each piece demands their tribute, All stakeholders must be appeased, All kingdoms must be acknowledged, The process remains more important Than any single successful outcome. Human Sapiens has little changed Since we lived in caves and tribes, Individual positions must be identified, Local shamans, appropriated and overcome, We are still an animal of ritual and custom Reluctant to leave our comfort zone. |
| --- Lisa Jain Thompson (April 2011) |
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| Don't sit under the apple tree With anyone else but me Anyone else but me Anyone else but me NO! NO! NO! Don't sit under the apple tree With anyone else but me Till I come marching home. Don't go walking down lovers lane With anyone else but me Anyone else but me Anyone else but me NO! NO! NO! Don't go walking down lovers lane With anyone else but me Till I come marching home. Sam H. Stept, Lew Brown, and Charles Tobias Don't Sit Under The Apple Tree 1939 |
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| the poet's lot |
| Ginsberg's Toy |
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If I had played my cards right, |
| -Lisa Jain Thompson (April 2011) |
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| tracings |
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Let Our Voice Resound |
| My first wedding was a formal affair, Roman Catholic, A Jesuit and a mass, It seemed like the thing to do at the time, Love and marriage and a recent carriage. My family expected me, countless generations Stretching back to ancient Rome and Sicily, My grandparents were baptized in the Palermo Cathedral, My mother, aunts and uncles in a parish in Chicago, My father, in some Presby-Meth Kansas Church. I was raised in a very civil religion that gathered For weddings, baptisms, and funerals: We would get married, christen our children, Celebrate our nuptials and holidays, And mourn our dead and then bury ourselves In our own little section of St. Mary's. God and I have reached agreement on my second and last, He will not send down fire or brimstone and I will not call Him an ass. So far it has worked well and We both have profited: He recognizes My marriage and I concede He may well exist. It's a brave new universe We both share. |
| — Lisa Jain Thompson (April 2011) |
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| And it's one, two, three, What are we fighting for ? Don't ask me, I don't give a damn, Next stop is Vietnam; And it's five, six, seven, Open up the pearly gates, Well there ain't no time to wonder why, Whoopee! we're all gonna die. Joe McDonald, I-Feel-Like-I'm-Fixin'-to-Die-Rag, c. 1966 |
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| starpoet's craft |
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Model Organism |
| In this, my corner of the universe, I am the poet in residence, A representative ape of a curious species, A window into the nature of reality As seen through a bright, multifaceted prism A moment before the endgame begins. A crush of universe prevails, precision Measurement and mathematical calculation Become a starwalker's luminous words, The set of initial conditions may govern all But the arrangement of matter is a poet's choice. |
| — Lisa Jain Thompson (April 2011) |
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in honor of Mr. Jobs |
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Padding the Blues |
| Sitting on my couch padding Netflix, A 46 inch LCD in front of me; I like to type work documents On my multi-finger touch screen, Ten times slower than my desktop Sitting idle in the next room: The bright shiny back works great As a mirror to check my make-up, I like looking at all the pretty colors On my breakable consumer screen; And it looks really nice as a paperweight, All cute and polished and gleaming Like some futuristic alien artifact Stumbled upon after exiting a stargate. |
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— Lisa Jain Thompson (April 2011) |
| And I'm proud to be on this peaceful piece of property, I'm on sacred ground and I'm in the best of company, I'm thankful for those thankful for the things I've done, I can rest in peace, I'm one of the chosen ones, I made it to Arlington. I remember daddy brought me here when I was eight, We searched all day to find out where my granddad lay, And when we finally found that cross, He said, 'Son this is what it cost, to keep us free'. Now here I am a thousand stones away from him, He recognized me on the first day I came in, And it gave me a chill, when he clicked his heels, and saluted me. Trace Adkins, Arlington 2005 |
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| Copyright © Lisa Jain Thompson 1948-2011. Back issues are in the Newsletter Section of the StarPoet website. Visit my contact page and get in touch. |

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