| The StarPoet Newsletter Vol. XII, No. XLIV (October 30, 2011 C.E.) |
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| Copyright © Lisa Jain Thompson 1948-2011. Back issues are in the Newsletter Section of the StarPoet website. Visit my contact page and get in touch. |
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End of October it is. Boo! The leaves still hang determinedly on the trees as squirrels scurry about with mouths full of their nuts. |
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Lightly the sun suggests the winter |
| Lisa Jain Thompson c. 2011 C.E. |
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a bit of poetry, a bit of other, a bit of sex thrice over. | |
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| the up side of Halloween | |
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Hallows All | |
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Wave to the ghoulies, | |
| — Lisa Jain Thompson (October 2011) | |
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| I look at what I write so I can see what I think. -- W. H. Auden | |
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a short comute | |
| The Bus Arrives | |
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The bus arrives before the sunrise, | |
| Lisa Jain Thompson (October 2011) | |
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| Starpoet | |
| Grasping Points | |
| Adrift, drifting, Floating disconnected star surrounded, Unstacked from place and time, A broken continuity caught up in space, The seconds torn, hour and minute, Into discrete packets of conscious presence, Thoughts and synapses seamlessly merging While someone else performs distantly on stage, "I" listen and watch, barely existing, Percentages below red threshold slowly dropping. |
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| — Lisa Jain Thompson (October 2011) | |
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| Nobody reads a book to get to the middle. -- Mickey Spillane | |
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| a bit more of Starpoet | |
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The Lightning Drifts | |
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The lightning drifts north around us, | |
| Lisa Jain Thompson (October 2011) | |
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A short story I have written long ago would barge into my house in the middle of the night, shake me awake and shout, 'Hey,this is no time for sleeping! You can't forget me, there's still more to write!' Impelled by that voice, I would find myself writing a novel. In this sense, too, my short stories and novels connect inside me in a very natural, organic way. -- Haruki Murakami |
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| you should have been there | |
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All the Gods are Metaphors | |
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I tumbled across Elvis Presley | |
| Lisa Jain Thompson (October 2011) | |
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| future history | |
| Europe | |
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Europe doesn't like England, | |
| -- Lisa Jain Thompson (October 2011) | |
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You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence. -- Octavia E. Butler | |
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| a woman's story | |
| A Curious Story | |
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Move him into the sun | |
| Lisa Jain Thompson (October 2011) | |
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| the birds and the bees and the primates: a trilogy | |
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A Fistful of Lovers | |
| Which is your side of the bed, my darlin', Where shall I put my clothes? Do you prefer me on top or on the bottom, dear, Or is head to toe your choice? Tell me what you really need, Whisper in my ear your desire, I can do you all the way around Or lie here admiring your prowess. It's your call, I'm flexible, My lips are moist and soft, My tongue is quick, my imagination vast, Just tell me, darlin', what you want | |
| — Lisa Jain Thompson (October 2011) | |
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I never waited for my Irish Cream coffee to be the right temperature, with a storm happening outside and my fireplace crackling ... I wrote every day, at home, in the office, whether I felt like it or not, I just did it. -- Stephen J. Cannell | |
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| variation on a theme | |
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For A Few Lovers More | |
| Don't tell me your name, Don't give me a clue, Anything you might say Would be a lie anyway. I don't want your money, I don't want your diamonds, A house would be nice But not tonight. You are bright and nicely muscled, Your smile is to die for, but first Drop your trousers and show me What I want tonight. | |
| — Lisa Jain Thompson (October 2011) | |
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part tres | |
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The Good, The Bad, and the Moist | |
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— Lisa Jain Thompson (October 2011) | |
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In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all. -- Samuel R. Delany, Jewel Hinged Jaw: Notes on the Language of Science Fiction | |
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| Copyright © Lisa Jain Thompson 1948-2011. Back issues are in the Newsletter Section of the StarPoet website. Visit my contact page and get in touch. |

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