Starpoet by Lisa Jain Thompson
Newsflash:
The StarPoet Newsletter
Vol. XII, No. XLIV (October 30, 2011 C.E.)
StarPoet Newsletter by Lisa Jain Thompson

End of October it is.  Boo!  The leaves still hang determinedly on the trees as squirrels scurry about with mouths full of their nuts.

Lightly the sun suggests the winter
Lurking beyond the Solstice,
Morning rises already stained
With that certain gray
The gods fondly use
Just before the world ends.

Lisa Jain Thompson c. 2011 C.E. 


a bit of poetry, a bit of other, a bit of sex thrice over.
the up side of Halloween

Hallows All

Wave to the ghoulies,
Shout out to the horseman,
The fiery gates of hell
Are open wide tonight.

Hold on to your soul,
Close your eyes if you dare,
Within the fog and cold shadows
Restless spirits rise.

— Lisa Jain Thompson (October 2011)
I look at what I write so I can see what I think.

-- W. H. Auden

a short comute
The Bus Arrives

The bus arrives before the sunrise,
Much to our half-asleep surprise,
We expect a glimpse of sunlight
Before slipping into our Metro tunnels
Or badging ourselves into the Pentagon,
Not that any of us would be any brighter
Before our morning coffees.

Lisa Jain Thompson (October 2011)
Starpoet
Grasping Points
Adrift, drifting,
Floating disconnected star surrounded,
Unstacked from place and time,
A broken continuity caught up in space,
The seconds torn, hour and minute,
Into discrete packets of conscious presence,
Thoughts and synapses seamlessly merging
While someone else performs distantly on stage,
"I" listen and watch, barely existing,
Percentages below red threshold slowly dropping.


— Lisa Jain Thompson (October 2011)
Nobody reads a book to get to the middle.

-- Mickey Spillane
a bit more of Starpoet

The Lightning Drifts

The lightning drifts north around us,
Rattling our windows and bodies,
A passing storm, a rain-filled light show,
Life beneath the clouds on Planet Earth
Thirteen billion years after starshine began,
Fifteen or twenty billion before the fires go out
And darkness falls once more across the void.

Lisa Jain Thompson (October 2011)

A short story I have written long ago would barge into my house in the middle of the night, shake me awake and shout, 'Hey,this is no time for sleeping! You can't forget me, there's still more to write!' Impelled by that voice, I would find myself writing a novel. In this sense, too, my short stories and novels connect inside me in a very natural, organic way.

-- Haruki Murakami


 you should have been there

All the Gods are Metaphors

I tumbled across Elvis Presley
Trading licks on a corner in Memphis,
Chuck Berry was laying down Johnny B. Goode,
Carl and Jerry were singing back-up,
Brian Wilson was watching from the drive-in,
Bobby Dylan was taking notes,
I was listening all eyes and new hormones,
Rock and roll was in my veins.

Growing up in the Fifties under the thumb of the Church,
The restrictions of societal expectations governed
Our music, our thoughts and our associations,
We knew where the boundaries were when we broke them,
And knew if we told our parents all hell
Would shower down upon us in the form of policemen
Who preferred Glen Miller and Tommy Dorsey
To the backbeat and vocal stylings of Little Richard.

Lisa Jain Thompson (October 2011)
                                               
future history
Europe

Europe doesn't like England,
England doesn't like Europe
And Ireland doesn't like
Either very much;
Europe is a fable
Constructed by the Romans
And supported by the Americans
For a half-century post war.

Now, the barbarians
Are breaking back into their tribes,
Different languages, different customs,
Racism, Nationalism, and adolescent egotism
Replacing the Roman walls with hatred and distrust.

No one survives to stop Europe's slow slide
Back into the dark ages and worse:
The Church is gone,
The Soviets are gone,
And the Chinese and the Americans
No longer care.

-- Lisa Jain Thompson  (October 2011)

You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence.

--  Octavia E. Butler 

a woman's story
A Curious Story

Move him into the sun
So I can see his face more clearly,
That I may kiss his lips one last time
So that the whole world must now admit
That the child inside me is his;
We did not live a lie when he was alive,
We will not live one now that he is dead,
No matter what Peter might say or think.

He was a man, I am a woman,
What could be more natural than the pair bond
Between two of us who loved one another?  
God has blessed me to carry on his bloodline:
In six months time, I shall give birth to a child,
The son or daughter of my dead husband,
And carry on as women must when their men
Have slipped the bonds of family and earth.

Lisa Jain Thompson (October 2011)
the birds and the bees and the primates: a trilogy

A Fistful of Lovers

Which is your side of the bed, my darlin',
Where shall I put my clothes?
Do you prefer me on top or on the bottom, dear,
Or is head to toe your choice?

Tell me what you really need,
Whisper in my ear your desire,
I can do you all the way around
Or lie here admiring your prowess.

It's your call, I'm flexible,
My lips are moist and soft,
My tongue is quick, my imagination vast,
Just tell me, darlin', what you want
— Lisa Jain Thompson (October 2011)

I never waited for my Irish Cream coffee to be the right temperature, with a storm happening outside and my fireplace crackling ... I wrote every day, at home, in the office, whether I felt like it or not, I just did it.

--  Stephen J. Cannell

variation on a theme

For A Few Lovers More

Don't tell me your name,
Don't give me a clue,
Anything you might say
Would be a lie anyway.

I don't want your money,
I don't want your diamonds,
A house would be nice
But not tonight.

You are bright and nicely muscled,
Your smile is to die for, but first
Drop your  trousers and show me
What I want tonight.
— Lisa Jain Thompson (October 2011)

part tres

The Good, The Bad, and the Moist


I won't burn your fingers
When you try to touch the goods,
And if you wait for the dust to settle,
I'll be long gone down the road.

I'm not your lovely wife,
I'm not your trophy girlfriend,
But here we are alone tonight
And both of us are lonesome.

Let's get on with it, shall we,
Or are you one who needs the light off?
Come on, big boy, show me what you've got
And for god's sake, turn off your cell phone.

— Lisa Jain Thompson  (October 2011)

In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all.

-- Samuel R. Delany, Jewel Hinged Jaw: Notes on the Language of Science Fiction

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StarPoet Newsletter by Lisa Jain Thompson
 
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